1. Towards Inclusive Performing Arts: Sin Límites Festival
6 mei 2022 · Celina di Mauro, participating in a residency of choreographer Alessandor Schiattarella emphasised that inclusion should eventually become ...
**The programme, centring inclusion and accessibility on all levels, included performances, art residencies, workshops and research on inclusivity and was joined by artistic companies and artists with and without disabilities from Europe and South America**. The festival was supported by over 40 partners including the (link: https://www.goethe.de/ins/uy/es/index.html text: Goethe Institute Uruguay) and EUNIC Uruguay, the (link: https://www.eeas.europa.eu/delegations/uruguay_en?s=194 text: EU Delegation of Uruguay) as well as local partners. The festival was opened with welcome words by Martín Inthamoussu, President of (link: https://sodre.gub.uy/ text: SODRE), and Robert Kieft, Project Manager of the (link: https://europeanspacesofculture.eu/ text: European Spaces of Culture initiative), followed by the dance performances 'En mis zapatos' and 'El hilo rojo'. **All performances of the festival were realized with inclusion and accessibility in mind,** not only by the diversity of dancers, performers and choreographers but also by offering Spanish Sign Language interpretation and audio descriptions for the audience, and making information about the program available in Braille on the festival's programme booklet. As the main venue, SODRE had been specially converted to be completely barrier-free. ## Towards inclusion One of the main concerns of the festival was to **address the key challenges that people with disabilities experience in accessing cultural life in Uruguay.** Wh...
2. Whether in an elite school or dreaming | Black Women of Brazil
Race and “place”: Whether in an elite school or dreaming of an opera career, Brazilian society continues to tell blacks where they don't belong.
Note from BW of Brazil: The idea of race-oriented “place” is a common discussion on this blog. Despite the idea that “money whitens” or that [...]
3. [PDF] Music and Corporeal Mimesis: creative frictions for the dramaturgy ...
As my musical practice and training had been directly linked to samba as song, my contact with the vocal work of Carlos Simioni, back in 2006, ... SODRÉ, Muniz.
4. November 2013 - Lisbon Record Shops
MusicBox (near Cais do Sodré) -> location of the venue 23:00 - free entrance ... With a career spanning almost 5 decades and at least 3 different music ...
Site about independent record shops in Lisbon, Portugal, including a comprehensive map of all vinyl and CD stores in the city.
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5. [PDF] Music and Corporeal Mimesis: creative frictions for the dramaturgy ...
As my musical practice and training had been directly linked to samba as song, my contact with the vocal work of Carlos Simioni, back in 2006, ... SODRÉ, Muniz.
6. Copa Filmes
by CELINA SODRÉ and CLARA CHOVEAUX. rio mumbai. Feature film by ... We have a strong network of suppliers who work in partnership with us.
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7. [XLS] Final List of Participants-SB60 - UNFCCC
... Sodré, Volunteer Collaborator, Climate Finance and Negotiation, Preta no Verde ... Career Climate Fellow, UNU-EHS, United Nations University, Paid ...
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8. Chapter 2: Emissions trends and drivers
Work since AR5 has focused on evaluating the effectiveness of policies: those ... Sodré 2018; Qiu et al. 2019; Santos and Davies 2020). The presence of ...
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9. [PDF] A Voz do Ator: elemento fundador da cena
19 jun 2022 · Stanislavski, Konstantin. La mia vita nell'arte. Firenze: La casa Usher, 2009. Celina Sodré é diretora de teatro desde 1983 e dirige o ...